PsychoCid wrote: ↑Tue Jul 21, 2020 12:54 am
I've got a lot of respect for you Rob, so no disrespect intended.
No worries. No offense taken.
I can see why he'd be worried. Hell, look no farther than VH's own history, with Cherone. VHIII is not a
bad album, but it isn't what everyone wanted to hear, so it tanked and the fanbase all but turned on them for a while. It's not their
best album, certainly. Neither was OU812, but it was also the first album with a new singer - and a band's development after a lineup change that involves the creative forces within naturally takes some time. I know it's not the popular opinion, but I still think if they had kept Cherone the albums would've rapidly improved - just like they did with Hagar. Only thing I'm sure of is that it wouldn't have ever been the VH the masses wanted. I love Dave and Sammy equally, but I really think it's a shame Gary didn't get more than one crack at it. I wanted to hear that next VH/Cherone effort.
At this point, I'll consider us all lucky if we ever get a new VH album. I kinda doubt we will. I think we only got ADKOT because most of it had been written long ago, a lot of the work had already been done.
PsychoCid wrote: ↑Tue Jul 21, 2020 12:54 am
He's a good musician. Why ruin it with crap marketing?
Like you, I've loved VH ever since I first heard them. They were my "inspired me to learn music" band. By now we both know not to listen to a fuckin' thing they
ever say as far as "news" or their marketing is concerned. I take it all with a very large grain of salt and a "believe it when I see it" attitude towards them. So, situation normal.
I doubt they are actually in charge of their marketing, come to think of it. It's prob some service of their label or some such - whose job is to whip up any frenzy they can to keep their clients relevant. Can't blame 'em. Other than Wolf's eventual album and the EVH brand cranking out a(nother) new mid-priced Frankie relic model, the threat of a tour is all they have to shout about.
I'm not holding my breath for another tour, but if they came to SLC, I'd go.
Judging by the work he's done with Tremonti and Clint Lowery, the kid's a really good bass player. His lines range from better than average to killer on most of the tracks credited to him. I love playing bass along to ADKOT. I'm looking forward to the new album based on the kid's prior work.